Thursday, 30 July 2020
Three laughs: Ninja III The Domination
It is hard to rate some trashy films. Films can be really good entertainment in spite of the quality of the filmmaking. In fact, it might be even harder to create unique trash that keeps surprising you than most "quality" films with which you know what you are going to get. It certainly is an even better pleasure to watch them. My friend says that he knows a trash film is worth something if it gets three laughs out of me. I mean proper, good belly laughs when you just can't believe what the film is showing to you, scene after scene. That's as good a rating as any for these movies. Any film that has these three laughs has a special place in my heart.
★ or ★★★★★
Three laughs case file #30: Ninja III: The Domination
(USA, 1984)
Director: Sam Firstenberg
It's kind of odd that I've not yet featured any Cannon Group films in this column. Perhaps I've gone on even cheaper thrills than the relatively cheap but still Hollywood productions of the company started by Menahem Golan and Yoram Globus. The main idea of Cannon was to populistically grab onto any trend that might attract customers of the 1980's film landscape. Enter the Ninja.
As the world started to open up in the 80s, ninjas were some of the exotic thrills provided by foreign countries that managed to work wonders within the action movies. They made for good enemies for any action hero, but there was a sense of mysticism and magic in them that they could also carry entire movies as protagonists. Shô Kosugi was one of these crossover stars that first started as a villain yet grew into a surprisingly popular leading man.
As Cannon's Ninja trilogy goes, I've covered the Franco Nero -starring first part here before. While I might prefer the second one, Revenge of the Ninja, it is a close call and there's a lot more cult movie vibe in the third one, titled The Domination. For as Golan and Globus wanted to capture trends, it is not just a ninja picture, but rips off other popular films of the time, such as Poltergeist and Flashdance.
Yes, the story is of a female aerobics instructor that gets possessed by the spirit of a vengeful ninja, and must strike to kill at nights. She needs the help of Kosugi's wise old ninja master in order to defeat the evil. The film could have been a star-making turn for Lucinda Dickey, and the idea of a female lead in a ninja action movie is kind of progressive. It's too bad she can't be a fighter by her own right but has to be possessed in order to be able to take men on. The way to go about it is nothing short of crazy, so we might gawp and gather the highlights into a text such as this.
Three laughs (SPOILERS):
1. The movie has one of my favorite opening action scenes of any action movie ever. It's the best action scene of the movie, so it's a bit of a letdown that the rest of the movie can't hold up to that one. After a short intro of a man visiting an ominous ancient temple, a black ninja (David Chung) appears on a golf course to an entourage of polo-shirted white guys. He enrages them by squeezing golf balls into powder. He proceeds to hack and slash them to death which starts out a non-stop 10 minutes of pure action I won't go beat-by-beat here. Suffice to say the ninja lifts a running golf cart and stops such a hard hit from a golf club with his hand, the bar bends around it.
2. Soon after rich guys are offed, the action moves to cops pursuing the ninja. He lifts a ride from a helicopter and kills the cops within it, making the helicopter explode. Just as you think the scene is over as the ninja is hiding in a pond, breathing through a reed, he gets discovered and blows some poison darts to a cop through the reed and starts killing cops once again. Talk about making bacon on a beach.
3. I have to talk about the other side of the film, which sees Dickey's character be escorted by a cop (Jordan Bennett) since she is eyewitness of the Black Ninja's crimes. She ends up seducing him in an amazingly 80's apartement with arcade cabinets, neon lights and Duran Duran albums. Like a scene from The Naked Gun, she takes a can of tomato juice out of somewhere and pours some on her neck. Is this bizarre idea supposed to be sensual?
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