Saturday 25 April 2020

Three laughs: Eega



It is hard to rate some trashy films. Films can be really good entertainment in spite of the quality of the filmmaking. In fact, it might be even harder to create unique trash that keeps surprising you than most "quality" films with which you know what you are going to get. It certainly is an even better pleasure to watch them. My friend says that he knows a trash film is worth something if it gets three laughs out of me. I mean proper, good belly laughs when you just can't believe what the film is showing to you, scene after scene. That's as good a rating as any for these movies. Any film that has these three laughs has a special place in my heart.



Three laughs case #19:
Eega / The Fly (India, 2012)
Director: S.S. Rajamouli

A lot of western people have stereotypes about films produced in India, even though it's a huge country with multiple huge film industries producing movies for different language regions. One of particular note is the Tamil area based in Tennai. Their action movies in particular tend to be more over the top and violent than ones under harsher Bollywood restrictions.

The film discussed today is an action movie that does have its share of triangle dramas and dance sequences. But in other ways it's one of the more out there cases I've seen. Since it's part of its elevator pitch, I have to spoil stuff a little. The film's protagonist is killed 30 minutes in and reborn as a common house fly.

What follows is a good case on why Tamil cinema is often more inventive than what you would get from Hollywood. Every scene tops the previous one and there are more ideas at play here than in a season of Dexter. Everything is based around the idea on how a small fly can revenge the death of his former incarnation and kill the man responsible. The film treats its ridiculous premise fairly seriously, but at the same time it keeps its tongue firmly in cheek and gives good physical gags in vein of some classic Looney Tunes vibes. It has the qualities of a Sam Raimi or Joe Dante flick, with some nice effect work and camera trickery also used.



Three laughs (SPOILERS):

1. As said, the first 30 minutes of the film are fairly conventional triangle drama material. It's surprisingly bleak to see Nani's main character strangled to death by the villainous Sudeep. But what emerges is a sort of scene like in superhero movies when the costume is first put on. "He's back!" chants the soundtrack. Yet he is a CGI fly. Learning the ropes of fly lifestyle, Eega has to run a gauntlet from getting stepped on to getting caught in a soap bubble and finally ending inside the villain's chai drink. Dark music notes play as he recognizes his nemesis.

2. The height of the film comes after Eega has revealed himself to his loved one Bindhu (Samantha). They begin to to plot on how to murder Sudeep. What follows is a training montage which has Eega lifting Q-tips, running on a C-cassette tape and practicing flying, while Sudeep has his goons deliver as many dead flies to him as they can. At the same time, the fly also almost kills him by disturbing a barber about to shave him, putting pesticide in his beer and lighting his bed on fire with a cigarette. Of course we also get to see the fly's dance moves during this sequence.

3. Probably the most bizarre scene in the film has the increasingly desperate Sudeep resort to black magic. The wizard bewitches two sparrows into becoming demonic hell-birds. The ensuing chase in particular utilizes the smaller scale and everyday objects in the house in a pretty inventive and interesting ways, while still keeping the pace going. And even this is topped by the film's explosive finale, which is something you should go out and see for yourself.

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